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Stories

  • Writer: Sylvia Schwartz
    Sylvia Schwartz
  • Sep 16, 2017
  • 2 min read

Updated: Aug 23, 2019


The nights our parents are yelling, we make a fort in our room.

I climb down the bunk-bed ladder with my camping flashlight in hand. You tug at our red Captain Marvel blankets until they fall at our feet. We spread your blanket on the floor, so you can suck on the corner when you’re not sucking your thumb. I drape my blanket over desk chairs, so when we’re safely underneath all the Captain Marvels marvel down at us. Our laser-bolt sky sags in the middle, but muffles the sounds. We play with toy soldiers, an army of plastic men whose arms will never break.

The nights mom’s left eye is swollen and red, we whisper in our room. We color in our books. You scribble in dark lines. Then you tear out the pages, crumpling and scattering them all across the floor. I draw with greens and browns, the colors of our camouflage-striped pajamas. I tell you crayons don’t come with erasers, no way to take back mistakes. I know you’re too young to understand, but I have to teach you to stay within the lines.

The nights mom’s left eye turns a shade of purple, she lets us play video games in the living room. We shoot the bad guys, over and over and over again. But they keep coming back. You rack up 100 points. I rack up 3,000. You think I’m so brave. You think I’m the winner. I go back to our room and write more in my journal. Then I tear out the pages, crumpling and scattering them all across the floor.

The nights mom’s left eye fades to green, I read you a story. You like the one about Jack and the Beanstalk because you like the magic beans. Afterwards, I pretend I’m a magician. I hold a Boy Scout handkerchief over a toy soldier and pretend to make him disappear. “It’s magic,” I say. And you believe me when I tell you anything is possible, over and over and over again.

The nights mom’s left eye becomes faint yellow, we watch cartoons past our bedtime. We both like the Bugs Bunny show. You like it when I say, “Eh, what’s up Doc?” and “Carrots are divine...You get a dozen for a dime, it’s maaaa-gic!” I like it when you try to say, “Be vewwy, vewwy quiet…I’m hunting wabbits!” And we both run around chasing each other until we wave our hands up in the air like Porky Pig and say, “Da Da That’s All Folks.”

The nights mom’s left eye is back to beige, I say, “See, I told you those colors would disappear.” “Like magic,” you say, and you wave your hands around saying, “Da Da That’s All Folks,” like that’s the end. I nod to camouflage the truth.

The nights my parents are yelling, we make a fort in our room.


Originally published in The Rain, Party, and Disaster Society


 
 
  • Writer: Sylvia Schwartz
    Sylvia Schwartz
  • Sep 16, 2017
  • 3 min read


It’s my thirteenth birthday and I’m spending it with my parents. I’m officially a teenager, so my mom made the cake bigger. That’s supposed to be a big deal, because I’m on a diet. I’m always on a diet. This month I’m not supposed to eat white food. White bread. White potatoes (red ones are okay, ‘cause Mom said they’re smaller and the skin is good for you). No white sugar. No whipped cream. And no cauliflower (though I don’t consider this food and I don’t tell her this, either). My cake is brown, made from molasses, I had wanted chocolate. But as Mom often says, “wishing won’t make it so.”

I don’t know where people come up with half of what they say, but “school year birthdays are best” is all wrong. I would rather my birthday was in the summer when no one was around to know about it. During the school year everyone makes a fuss over the popular kids’ birthdays. When I was a little kid, their parents would send them off with cupcakes or cookies and these cool kids would pretend to hate the attention. But everyone knew they loved it. Everyone who’s not cool wishes they were. That’s just the way it is. Now the cool kids get sent to detention and that makes them even cooler. I tried to get sent to detention, but the teachers know my mom’s the PTA president, so it’s no use. Besides, teachers like me. I wear granny glasses, so they think I’m smarter than I am. I wish I had contacts.

Just before my birthday, my mom took me out shopping for a new bra. I haven’t “developed” any since our recent training-bra shopping days, but Mom thought it will be good for me. Like somehow my chubby boy’s body would want to transform at the sight of padded C cups. She wishes I looked more like her. I like the fact that boys don’t look at me the way they do other girls. She says this will change some day. I’m never sure what to believe.

My teacher said I’d be perfect for the leading role in our school play. It’s about a shy, awkward girl. Even my few friends tried to encourage me. But my father was worried I’d blow my lines. And Mom said there’s nothing worse than failing in public. So I didn’t take that part. I took the other part. The one with more lines. The role of the woman who helps the shy girl out. No one thought this was a good idea. But in the end, everyone clapped. My father told the teacher I took after him. That he had once acted in high school. Mother wished I had chosen a different dress.

Sometimes when I’m alone in my room at home, which is a lot of the times, I think about what might have been. What if I’d grown up with different parents or had aunts and uncles and cousins or had grandparents that lived nearby. What if I had lots of brothers and sisters and I was the big sister—the high school cheerleader with my skinny body posed up in the air doing the splits. My thick blonde mane, clear skin and toothy smile beaming down a single, burning ray of sun. And then, somehow, I’m rising higher in the sky that has become night, and I’m now a star: the beginning of matter, with all the particles that we are composed of in its purest form—before even the evolution of thought.

Back on earth, though, I hear my father say, “make a wish.” My thin candles are dripping and if I don’t blow them out soon the wax will clump at the bottom and Mom hates that. The candles were lit at nineteen hundred hours. My father likes military time. He wishes everyone would adopt it. We’re supposed to say seven o’clock only when we mean a.m. Father claims to be confused when we say dinner is at six even when it’s dark out.

At nineteen hundred hours and thirty seconds, I haven’t thought of a wish. Not that there aren’t lot of things I want. But it’s hard to find that one single wish you want for the entire year, especially when thirteen candles are being liquified. I don’t want to make the wrong wish, so I blow them out without asking for anything. In my head I hear my mother’s voice, “wishing won’t make it so.”


Originally published in The Rain, Party, and Disaster Society.





 
 
  • Writer: Sylvia Schwartz
    Sylvia Schwartz
  • Jan 9, 2016
  • 2 min read

A small girl is riding her bike back and forth, trapped in a long, rectangular enclosed box. She does not see that she is confined; her eyes are cast down at her feet. Happy to be pedaling. Happy not to have fallen. When she stops, one hand braces herself against the wall for what she perceives as welcomed support. She doesn’t venture far, turning before reaching the end, as if unconsciously aware of the limitations the way a swimmer with closed eyes turns without touching the pool’s edge. She rides back and forth, content.

When the girl is seventeen and rides to the end, she sits slumped against the wall, calling out to her girlfriends, each in a rectangular box of their own. They talk. Laugh. Smoke dope. Their imaginings drift to someplace grander. A bigger box. A hundred miles long, perhaps, long enough that it would take them days to reach the end. Their imaginings are always about improving their box. Or meeting someone whose box is like theirs.

Years pass and the girl becomes a woman, a wife, a mother, a productive member of society—where everyone has their own box. She rides as she has always ridden. Back and forth, back and forth, back and forth. Motion, she has learned, is not the same as movement. But at night, if she is lucky, she dreams of her daughter’s now youthful days of riding, knowing, for the time being, her daughter is happy. And, in those moments, so is she.

When the woman turns fifty-five her riding slows so that she notices all the smudges along the wall where she had stopped. Her fingerprints. Imprints. Part of herself left behind; part of herself entombed in time. She has heard that in some boxes, at the place where the wall ends, there are a tangled mast of tire treads and scarring flecks of blue, red, green, orange or yellow paint where the rider deliberately crashed the bike into the wall. She tries not to think of this by counting. She counts each time she reaches the place where she can’t go on.

At the age of eight-five, the woman labors to pick up the bike. It wobbles when she rides. One day she gets off to rest her back against the wall and then lays down to nap. When she wakes, she feels refreshed, invigorated. Her legs, arms and body feel like going for a ride. But when she looks around there is no bike and the walls are gone. She remembers herself in the past tense and now wonders. Was there really a bike? Were there were really any walls? Her eyes gaze upward and there is nothing above but an expansive, pearlesque white that almost blinds. She closes her eyes and inhales the brisk air from above.

She rises— and for the first time—walks with no end in sight.


Originally published in The Airgonaut

 
 
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